dbx driverack 260 eq and speaker control processor manual

#Dbx driverack 260 eq and speaker control processor manual full
#Dbx driverack 260 eq and speaker control processor manual software
#Dbx driverack 260 eq and speaker control processor manual professional

Setting up a 3 way concert rig just to have a play is a little frustrating. When I get a new toy the first thing I want to do is plug it into the nearest speaker. These are all geared for large 3, 4 or 5 way systems based mainly on the speakers and amps that the system knows about, which was a little disappointing. When you plug it in you are prompted to select from one of the 50 presets that come standard with the unit. The Driverack however is obviously geared for the high end of the market, it has built in speaker and amp tunings for some of the best (and most expensive) products in the world. When you open the box you are greeted with the familiar DBX styled unit that has graced the outboard racks of concerts and tours around the world for years. It seems the lads at DBX have thought of just about every possible device you may want to insert between your mixing console and amp racks and integrated it into the Driverack. The DBX Driverack 260 is no exception, in fact it draws a new line in the sand for quality and features. Their compressors and gates are renound as being completely transparent and very musical.

#Dbx driverack 260 eq and speaker control processor manual professional

Music background: 37+ years sound engineer & EntertainerĭBX has always had a reputation of producing high quality professional products. However if I was giving this five stars it would be because the security features worked as I'd expect them to - without any troubleshooting.

#Dbx driverack 260 eq and speaker control processor manual software

The configuration software is a little weak and I've never gotten the security layers to function as expected - however the need has not been great enough to put the time into troubleshooting it. I've yet to hear anything that performs as well for the price.

#Dbx driverack 260 eq and speaker control processor manual full

The compressor in the 260 is full featured, robust, responsive, and has enough flexibility to handle just about any situation where a little compression on the mains helps to tighten up the entire wave front. I eventually installed another three 260's to handle stage monitors and floor monitors. Unlike the driverack PA you can auto eq each channel separately - which makes the 260 a lot more versatile than the cheaper PA version.

Having spent endless hours over the years tweaking graphic equalizers with real time analyzer setups in various types of indoor facilities - I've always been pleased with the speed and relative accuracy of the auto eq feature on the 260. However I have found the auto eq feature is such a great time saver in this permanent (indoor) installation - an acoustically challenging concrete amphitheater style building that seats 3500 people - that I figured I'd save more time with auto eq than with the great remote management architecture of the 480. I'd have preferred to manage them with driverack 480's due to the management features in the 480 architecture. The installation where I use the most driveracks has 10 clusters of double 18's with horn loaded mid/highs (medium and long throw). I've got a rack full of these 260's because the 480 did not come with autoeq at the time I needed to outfit a. Music background: avid drummer, bassist and guitarist, Recording Engineer, Live Sound Engineer, Student Contractors will appreciate its control inputs for wall-panel logic control and the patent-pending Advanced Feedback Suppression. The 260 provides full bandpass and crossover configurations as well as independent output processing and a full time RTA for live sound applications. These features combined with the Wizard setup system and complete DriveWare GUI control represent a methodical design that is guaranteed to deliver optimal, all-inclusive processing in a completely scalable system. It offers two independent channels of processing power with a linkable 28-band Graphic Equalizer, industry-standard dbx stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, PeakStopPlus limiters (to provide protection against speaker blowouts) and alignment delay. The 260 capitalizes on the road tested and contractor approved DriveRack, providing state-of-the-art signal processing while utilizing a simple and intuitive user interface. Guitar Workshop Keyboards & Synthesizers Shop By CategoryĬase Finder Drums & Percussion Shop By CategoryĬable Finder Microphones Shop By CategoryĬase Finder DJ Equipment Shop By CategoryĬable Finder Band & Orchestra Shop By Categoryīand & Orchestra Accessories Accessories Shop By CategoryĮxplore our product finders Shop By CategoryĮverything You Need for Complete Control of Your PA System Case Finder Live Sound & Lighting Shop By CategoryĬase Finder Software & Plug-ins Shop By Category